Object #1: Style.

Reading the Object website is making me furious and sad. You’d almost think that additionally to repelling critical thought on the part of their ‘activists’ (“did someone say ‘objectification’? Quick, we must start a petition opposing this thing, whatever it is!”),  they’re aiming to avoid criticism from those of us who’re not so down with the covering up of all naked ladies (okay, they don’t specifically say “all”. That’s because they don’t offer any definitions whatsoever, like some kind of politics-as-rorsarch test) by making their content such a twilight swampland of semi-truths, untruths, innuendo, issue-jumble, elision, and facts-that-make-you-go “well, duh”, that it is impossible to ever get a handle on the shifting morass, like trying to catch a glimpse of the Loch Ness monster while watching a sped-up time-lapse of the last 10,000 years of the earth’s geological history, shot from space. Not only does the monster not exist – you’re also being offered a plethora of distracting, irrelevant information, at the wrong level of detail, some of it dressed up to look like semi-relevancy. Sorry, was that too harsh? Just wait ’til we zoom in.

As I say, I’d almost think that was some kind of tactic to deflect the criticism they’d garner if they stated their aims in any way intelligibly, but the shoddy design of the website (it holds up the illusion of ‘serious NGO is serious’ for about forty-five seconds) suggests that that might be crediting them with too high a degree of intentionality.

So. I did think their page ‘the Facts‘ looked rather on the short side (that’s – what, two hundred words or so? To unpack the whole of ‘objectification’ and ‘sex object culture’? Hmm), and then I noticed that they’ve got a bunch of references for citations that no longer exist, i.e, they’ve cut most of their ‘facts’ but neglected to adjust the footnotes. Neato! Why have they cut what looks like two thirds of the page? Looks to me like, because someone did some research and pointed out to them that it was the hugest bunkum since forever, and instead of, like, acknowledging that, or standing by their convictions and maybe adding more meat to the poor, fictional gruel of their argument, they rather quickly and haphazardly deleted the lot.

(Lazy sods, I bet you won’t click on that link. In case you don’t, here’s some nuggets from the Object factoid armoury, prior to their hasty track-covering. “Over half (54%) of all women around the world say they first became aware of the need to be physically attractive between 6 and 17 years of age.” The blogger comments, “yes … and?”, speaking for all thinking people in whom that fact has failed to instil the seemingly hoped-for horror. Or how about, “Eating disorders are as common amongst women as autism”? This fact provokes the obvious response from our researcher, “OK … and is that a lot? And if so, what does it say about the causes of eating disorders? Or of autism, for that matter?” I used to think that Ben Goldacre’s schtick was a little played out – surely we’ve all gathered by now that homeopaths and shampoo companies fib? – but this reminds me of how bad science and bad statistics have an eternal half-life in bad politics, like Voldemort on unicorn blood – er, which, you’ll doubtless recall, leaves the drinker neither fully alive nor fully dead.)

Object activists were respectfully invited to respond to the above (and other) criticisms of their website content, but vanished into the internet ether – along with the content in question – leaving only a footnoted absence. Oh absent presence!

Here’s my second telling ‘clunk’ from the style police. Moving away from the ‘Facts’ (rather thin-pickings, though I will deal with them in more detail later) and onto the FAQ, we find the sentence, “The message is loud and clear: to be validated as a female, you have to be ‘hot’”. Now, shaven of context, I don’t think this sentence is completely off. There’s plenty of evidence that women’s appearances are scrutinised, in misogynist ways, and you don’t have to be a swivel-eyed Object-ivist to think so. What’s interesting – and problematic, and telling – about this sentence is the way in which it uses the word ‘female’.

Most feminists I know recoil from the word ‘female’ when it’s used in this way. ‘Female what?!’, we cry, en masse. ‘Female baboon? Female rat-catcher?’ – in normal English, ‘female’ is generally a descriptor that modifies a second noun, because we already have a word for grown female human, and that word is woman. So, what are they getting from this clunky use of language? Hm. Well.

To give you the full paragraph, “Girls are targeted at younger and younger ages as consumers of sex object culture. WH Smith sell pink Playboy pencil cases – yet Playboy is a global pornography brand;  Amazon sell pole dancing kits with paper money as toys; Tesco even sell ‘Porn Star’ T shirts for 3-6 month year old girls. Celebrities endorse the pornography industry and glamour models are held out as role models for young girls. The message is loud and clear: to be validated as a female, you have to be ‘hot’. This is increasingly the case as pornography and the sex industries (such as prostitution or lap dancing) become part of our mainstream culture and everyday lives.”

A lot of Object’s argument here (what you can call argument) appears to hang on a silent elision between (grown up) women and (innocent, girl) children. The sentence “to be validated as female” operates here as the hidden hinge between children (the words “young girls” literally abuts our hinge sentence at it’s northern end), and adult women (the presumed – readerly – “our” of “mainstream culture” fame). Even if we buy into Object’s analysis around ‘objectification’ and ‘sex object culture’, we might quibble slightly at being asked to treat young girls and adult women the same. (We might further wonder if there’s not a relevant third category, “teenagers”, that might require additional nuance again, but apparently not so much.) The word “female”, by being non-age specific, allows Object to attempt to sneak these various different categories past us, under our actual noses, without alerting us to the intellectual sleight of hand that’s asking us to transport our feelings about children-and-sexuality (“girls are targeted at younger and younger ages”), and, unchanged, apply it to women (” … become part of our mainstream culture and everyday lives”).

Object might want to claim that ‘sex object culture’ is so hegemonic that it does treat seven year olds and twenty seven year olds the same (provided they’re ‘female’, of course. “Women: aw, aren’t they just like girls?!” – feminism … apparently). But that’s not the argument they’ve made – mostly because that might entail actually making an argument at all, and, y’know, carrying in through in a fairly transparent manner – whereas in fact, they’ve invoked vague unease through linking prepubescent girls with sexuality, and then linked those tropes of threatened childhood innocence (I say ‘tropes’, because, as I’ll show later, their facts aren’t exactly ‘factual’, as such) to the implicit adult reader, and her sexuality. Creepy! Weird! No, not “mainstream culture”. I mean Object.

More on this to come, when I can bear it.

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6 thoughts on “Object #1: Style.

  1. Interesting. While I do think women are being objectified, that’s a rubbish argument. I feel slightly uneasy about the pole dancing kit (not that I wouldn’t buy it for my (female or male)kids if I had kids)) but this unease is nothing to do with adult women.Adults (and teens) need sex, children don’t, or they need it in a different way. Women can be complicit in their objectification, and can realise they’re being objectified. They can objectify men. Kids can’t. As Carol Smart (1985) warned, this brand of feminism becomes a position “virtually indistinguishable from the religious right”, as criminalising porn and sex work are the only permitted goals. Anyway you can want to be objectified. I think Roland objectifies me – at least, they would call it that, and I fantasise that he does, though in reality he does not objectify me completely – if at all. I like that cos it’s kinky, and I objectify him slightly, so it’s only fair. They’d call you “objectified” of course. There is no nuance in this kind of “feminism”. This kind of radical feminism is the type that gave Brooke a hard time and tell women not to enjoy porn cos we’ve been brainwashed to like it.

    • Yeah. I’m a little skeptical of the term of “objectified” not because I think it never happens ever, but because I think it’s a catch-all term that’s thrown around way too much. In particular, I think it’ often used where “misogyny” would do a better job – e.g, if someone’s like “hur hur, Hilary Clinton, what an ugly old hag”, yeah that focuses on her body, but I don’t think we need a fancy newish coinage to describe what that it – it’s just misogyny, plus ca change.

      As for the specific examples in the Object paragraph – don’t be uneasy! – they’re pretty much all fictional. Not so much that they leap out as you as fictional – mostly they’re from another country, several years ago, or something – but none of them pertain to the actual UK in actual 2012. Or 2011. Or 2010. You get the idea ;-). If I’d tried to put everything wrong with Object into one post, I’d have broken the internet with too much content, hence this post focusing on style, and the next one focusing more on substance – or, as it might be called, LIES. MASSIVE LIES.

      Oooh, I hadn’t encountered that Carol Smart quote before, and she’s dead on. If I can bear to keep blogging on Object, I might do a thing on “Is this from Object …. or Nadine Dorries?” – they both specialise in semi-coherence that gestures towards feminist tropes while actually deploying a hugely conservative anti-porn analysis. (Heh. That’s quite a good sentence. I might plagiarise myself with that …) Plus you see that really clearly in the US where Rick Santorum and Michele Bachmann are both vehemently anti-porn – cesspit blah blah representation of women blah blah – again, using feminist-sounding tropes – but of course *actually* meaning, “porn challenges my radical interpretation that sex must always potentially be procreative”.

      • “Is this from Object or Nadine Dorries?” OH YES! Please do that! I think that quote was from a book by Smart published in 1985, but it could’ve been an article. It was about pornography. Object feminists are radical femininsts of Dworkin’s and MacKinnon’s line. They forget that although men aren’t objectified much in popular culture, individual women can objctify men. I’m seeing some of my friends objectifying Tom Daley, being all focused on his body as a sex object instead of his incredible talent and dedication. And, yes, Dorries is a pseudo-feminist, especially with her high heels bill and her anti-abortion bills. I can almost hear her whining, “Women are COERCED into having abortions! They deserve religious ‘counselling’ not to get one so their abortion will be delayed!’ I agree totally thsat ‘objectification’ is thrown around too much. It might – or might not, depending on the individuals involved – apply to beauty pageants, porn, the Sun’s page 3, etc. But its thrown around too much. And not everybody in a beaty pageant/porn film/whatever is being objectified. They are focusing on the male gaze, not the female intention. Even if the male gaze always objectifies, if the female is complicit, is that objectification in the usual sense of the word?

  2. Nice article GSW! I too have been mistified my this current lexicon of fear that is so happily used right now. Shrieks of ‘objectification!’, ‘pornification!’, ‘hypersexualisation!’ – what on earth are they talking about exactly?

    I say this as a Shoreditch stripper who has been involved in fights against these nutters and the councils, who are trying to close down all dance venues and outlaw striptease. I also say this as someone who has always danced in order to fund and pursue performance projects. So I don’t really see much difference between someone looking at me singing or improvising on stage, to someone looking at me sexy dancing. I am on stage, the audience are looking at me, some artisticlly, some jealously, some sexually. One of the girls I have campaigned with is also a dancer – as in of a socially apporved style – contemporay dance studied at the Laban centre. She is also puzzled as to why one form of dance (where you use your body and people look at your body) is so different from the other.

    I also feel that the word ‘objectification’ is a very one-dimensional and inaccurate way of explaining human interaction. Customers watch me dance but they definitely see me as a person too. I say that because annoyingly they always want to talk!

    Object and the rad fems are creating a moral panic in which it is women who suffer. Counter productive I would say. They encourage the idea, that women’s bodies are the public’s business, when they legislate against me and my friends. They also reinforce guilt feelings and confusion around sex.

    What’s wrong with sex? What’s wrong with being sexy as an adult? Censorship is dangerous.

    Men look at women, women look at men, men look at men, women look at women and Object need to get the fuck over it!

    • Yes yes yes SO MUCH! Thank you; it’s really great to hear a stripper’s perspective, since Object are SO MUCH about the strip clubs. I’ve gotta run out the door RIGHT NOW but I shall return to your comment 🙂

  3. Pingback: Object #2: ‘don’t let CEDAW hit you on the way out’. | A Glasgow Sex Worker

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